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Novelist and  short-story writer Michel Faber, in his three monkeys interview, commented “I think it’s juvenile and arrogant when literary writers compulsively remind their readers that the characters aren’t real. People know that already. The challenge is to make an intelligent reader suspend disbelief, to seduce them into the reality of a narrative.” This is [...]

It seems like a good year and a half since I’ve read a novel that didn’t involve a writer writing a novel, so I started Domenico Starnone’s First Execution wearily, almost out of duty - despite the fact that the original Italian version of the book comes highly recommended.
It has though, thus far (I’m half [...]

“If the general climate is bad, all will be affected by it. Men and women of letters are not expected to do more than they can, as they express this bad situation in their literary production. With respect to the question of the appeal of a particular work, the whole thing depends on whether the [...]

Derek Raymond, the English noir writer whom Interpol knew better as Robin Cook, could spell in at least two languages, as his dystopian novel A State of Denmark proves. Leave aside comparisons to Orwell, with the novel’s imagined totalitarian England run by a media-backed dictator called Jobling, and instead concentrate on the words frazione, presa, [...]

While Carlo Lucarelli’s detective novel Carte Blanche includes plenty of standard genre devices, it’s unlikely to turn up in the excellent ‘do it yourself giallo generator‘ (via Detectives without borders). For one thing its title is too short, and doesn’t contain an animal (not that the inclusion of an animal in the title necessarily makes [...]

Back in December, mediabistro’s GalleyCat posed the question ‘Where will we find Literature’s Radiohead?‘. Not a question of matching literary style up to the Oxford band’s musical approach (although over at the Valve they see a similarity between Yeats and the band), but rather the starting point for a discussion on distribution methods - [...]

With a sparkling lack of imagination, perhaps,  I find the best way to approach this  intriguing novel by the late Benjamin Tammuz - former literary editor of Israeli newspaper Haaretz - is through his co-national Amos Oz. But, read the following passage about opening gambits between author and reader, from Oz’s collection of essays on [...]