In “Żebry Adama,” (Adam’s Begging) the first story in Wojciech Kuczok’s Widmokrąg (widmo – ghost; krąg – circle; widnokrąg – horizon), a naked beggar catches hold of the narrator and forces him to divest himself of first his (Armani) suit jacket, and then his trousers. It’s not meant, of course, to be an entirely realistic […]